ERFANVENDETTA
“Everything is nearly prepared. The moment I move, their beginning of the end unfolds.”

I build things that run quietly in the background — systems, companies, songs — and prefer them to speak for themselves.
Precision, patience, atmosphere — these are the things I keep circling back to, in code and in sound alike. I work in software and infrastructure during the day, and in music whenever the day allows it. Neither is a hobby for the other.
I don't think of myself as a developer who also plays guitar, or a musician who also writes code. It's one discipline practiced in two materials — close attention to structure, and a willingness to leave things unfinished until they're actually right.
- Focus
- Software & Infrastructure
- Venture
- TanyaCo
The infrastructure underneath things interests me as much as the things themselves.
Systems & Linux
Comfortable at the shell level — process, filesystem, and kernel behavior as a working vocabulary, not a reference lookup.
Networking & Security
Interested in how systems fail and how they're protected — from protocol behavior to the practical discipline of hardening what's exposed.
Servers & Datacenter Infrastructure
Drawn to the physical and architectural layer beneath software — provisioning, reliability, and the infrastructure that makes everything else possible.
Software Development
Building tools and products end to end, with an emphasis on code that stays legible under pressure, months after it was written.

Where the technology side of what I do takes a permanent shape.
I founded TanyaCo to build technology and AI-driven products with the same standard I hold for everything else I ship: considered, well-made, and built to last longer than the trend that inspired it.
Guitar first, voice second. Atmosphere before either.
I play guitar in the expressive, atmospheric tradition of musicians like Estas Tonne, and I sing with an interest in pop phrasing — but what pulls me in is music that feels less like a performance and more like a room you stand inside. The two recordings below are reference points, not my own work — the emotional register I come back to.
A curated record of things built, explored, or still forming.
Not a résumé. A quieter shelf — some of it public, most of it still private. It grows as things become ready to show.
THE UNWRITTEN HOUR
AWAITING THE HOUR
Local day · 0% elapsed — not the countdown
“Not every moment is meant to be announced.”
“Silence is not absence. It is preparation.”
Transmission paused
